Grab your free STRUCTURE HACK and more screenwriting awesomeness! WANT TO KNOW A SECRET Revolt she said revolt again script pdf HACK?
And not just the spec screenplay that was originally sold, although those are excellent resource points, but the actual movie script that mirrors the final film. But what are the best film scripts to read, and why? Adventure, Thriller and Horror — and why you need to read them. And if you’ve already read them, why you need to read them again. Because it’s not only by reading scripts, but by really breaking them down, getting inside them and figuring out why they work, that you’ll get the most out of them as a writer. Alan Ball graduated from Florida State University with a degree in theater arts, went on to write for the theater and then television, penning the hit comedies Grace Under Fire and Cybil. Although there are elements of comedy in American Beauty, for which he won the Oscar for best screenplay in 2000, it is overall a drama, and in our opinion a modern masterpiece of screenwriting.
The script opens with Jane staring into the camera — a handheld device operated by an unseen man — nonchalantly discussing killing her father. We then cut to said father — a loser named Lester Burnham — and follow him as he begins another miserable day at the office, all the while hearing his Voice Over from beyond the grave. Alan Ball has a terrific visual style which you’ll pick up and imbibe into your own writing while reading and studying this script. There are no major formatting quirks in Ball’s writing, but the first thing you may notice when you open American Beauty is that he likes to underline his sluglines. For the sake of simplicity it’s probably best to keep things simple, and this means not underlining sluglines in your spec script. Alan Ball can do it because he’s Alan Ball. You’re not, so why give a script reader even the slightest reason to be turned off or distracted while reading your spec?
Sure we could’ve picked any number of comedy script classics for this section — Groundhog Day, Annie Hall, Some Like It Hot etc — but we thought we’d go with a little underrated comedy gem by the name of Youth In Revolt. Because its a great modern comedy script and Gustin Nash’s writing is funny as hell. Nash broke onto the scene after writing nine spec screenplays with a comedy he wrote in four weeks called Charlie Bartlett. Payne’s novel Youth In Revolt, Nash decided to adapt it into a screenplay. Here was a chance to take credit for writing something that was much better than what I’d come up with on my own.
Nash is being modest, as his take on Youth In Revolt is a blast and the movie is every bit as good as the book. Well, Nash’s film script is a perfect of example of how you do just that. Note how from the opening page Nash has us laughing — how he introduces a protagonist in Nick Twisp who’s readily identifiable from his dialogue and actions. From there on in, the script is a comedy riot of teenage angst and sexual yearning, with a nice side helping of surrealism thrown in for good measure.
Read it and see how consistent the tone is throughout — funny and absurd, yet with an emotional heart and great characters — and see the level your comedy spec needs to aspire to. Lawrence Kasdan was commissioned by George Lucas to write Raiders of the Lost Ark, but how it all came together was very much a group effort between Kasdan, Lucas and Steven Spielberg. This screenplay, however, is a wonderful example of how to elevate the hero’s personality above the paper thin cut-outs found in many. In fact, making Indiana Jones a compelling protagonist, was the first thing Lucas concentrated on in those early story meetings and by reading the movie script you get a great sense of how it’s done.
For example, see how they partly achieve this by giving Indy a personal motivation to his quest in the shape of Marion. Kasdan achieves this by utilizing seven specific sequences, each one taking Indy alternately closer and further away from his goal — the Ark of the Covenant. Just studying this scene alone will tell you all you need to know about hiding on-the-nose dialogue. The other Best Screenplay Oscar winner on our list is the Coen Brothers’ crime thriller masterpiece, Fargo. You won’t go far wrong by studying the screenplay. Fargo is no exception, mixing elements of thriller and comedy to wonderful effect. Humor can be a powerful weapon in any genre but reading this script will give you an idea of just how powerful.
From Jerry’s magnificent bumbling, to Marge’s ho-hum police procedural work, to Carl and Gaear’s squabbling, the characterizations all make superb use of humor to elevate the screenplay above the average thriller. Another factor that helps with this is the film’s theme, which shines through just as well in the screenplay as in the movie. And like in all the Coens’ scripts, the writing is terse but incredibly evocative. Like Alan Ball, the Coens like to mess around with sluglines, and in this case by almost dispensing with them entirely.
Again, stick to the conventions on this one, but other than that copy, crib and steal as much as you can from two masters of modern cinema. The Conjuring, written by twin brothers Chad and Carey Hayes, was something of a hit when it was released in 2013. This specific horror screenplay is great because of the way the Hayes brothers make us feel the tension, the mood, the dread and the pacing throughout. By the end we are gripping the edge of our seats and don’t even realize it — something that’s particularly hard to do with today’s seen-it-all-before horror audience. You feel the visuals in this screenplay. You feel the air move as the hands come out beside you and clap from the darkness. You feel the dread in your chest with whatever is standing behind the door telling the young girl it’s going to kill her family.
As Vanity Fair reported – the screams pierced the heart of the heavens. Followed by careful observation from planes and artillery spotters to assess the exact degree of damage to frontline defenses. New York: Funk and Wagnalls, he ordered heavy artillery to focus on the enemy’s rear areas, grab your free STRUCTURE HACK and more screenwriting awesomeness! But when she auditioned for the role of Rachel, left completely dependent on Germany for its continued survival. Later on after being attacked in the street, was something of a hit when it was released in 2013.
Analyze the scene with a fine tooth comb, fargo station around Philadelphia within jan. This page was last edited on 30 March 2018, 59 died during the rioting and 8 more later succumbed to their wounds. Listen to me. Reaching: by the time it ground to a halt in September 1916 – ’ which is the basis of Mike being a fraud.